My art practice explores time as a quiet force. In my installations, time unfolds through slow change, natural elements, and the rhythms of embodied perception.

Some installations respond to the viewer’s presence, using sensors or cameras to track movement. Others unfold gradually on their own. In both, transformation is subtle, cyclical, and often barely visible, like a rock slowly moving, fog revealing an island, or ice disappearing into the ground. These small shifts ask viewers to move, pause, and notice time differently.

Water, fog, trees, and stone appear throughout my practice, shaped by a deep interest in natural rhythms and impermanence. Japanese aesthetics, particularly ideas of partial concealment, transition, and spatial quiet, influence how I design the pace and unfolding of each work. These environments are not static but gently alive.